One of their techniques was using equalisation to alter the frequency response of the audio being reverberated. ![]() Many of the reverb effects on legendary recordings came from chamber reverb, and studios were often fiercely proud of their chambers’ unique aspects. A speaker in the room played back sound, typically from a mixer’s reverb bus, which was picked up by a mic, or pair of mics for stereo. Echo chambers became more refined over the years but were always relatively small, purpose-built rooms with highly reflective and usually non-parallel surfaces.
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